front cover of The Now
The Now
Poems
Albert Godbarth
University of Pittsburgh Press, 2019
The Now describes the unique, and sometimes baffling, moment in which we live, a time defined by an immediate future of online wonderments, fake news, multiple personalities, data economy, gene modification, and the rest of the exciting-and-yet-ominous "technology culture," even as it's a time when the urge to memorialize the past—to sing elegiacally—seems more important than ever.
Between poems that consider the disappearance of language in an age of digital/binary communication, and poems that mourn the disappearance of fellow poets and artists, this collection attempts to stand on a nano-second that looks both backward and forward in time: the ever-shifting "now."
 
[more]

front cover of Other Worlds
Other Worlds
Albert Goldbarth
University of Pittsburgh Press, 2021
Other Worlds is true to its title, from a look at our everyday joys and griefs as interpreted by the Mars of classic science fiction and the crazy domain of quantum physics; to studies of the many conflicting realities that America uneasily accommodates in a time of pandemic and protests; to elegiac poems informed by the realms of memory, ghosts, and imagined afterlives. From a poem of one line to a sequence of twelve sections, from comic hijinks to despair, and from private revelation to public declaiming, this is a bravura performance by the only poet to have twice received the National Book Critics Circle Award and who, at age seventy-three, is writing at the height of his powers.
[more]

front cover of SAVING LIVES
SAVING LIVES
POEMS
ALBERT GOLDBARTH
The Ohio State University Press, 2001
Albert Goldbarth "just may be the American poet of his generation for the ages," says Judith Kitchen in a recent feature on him in the Georgia Review. "Often humorous but always serious, Goldbarth combines erudite research, pop-culture fanaticism, and personal anecdote in ways that make his writings among the most stylisti­cally recognizable in the literary world." This new volume, Saving Lives, both consolidates and extends his passions and their presentations.

The poems range from a few tight, resonant lines to works of long story­telling drive, from sequences that encompass the most flexible of free verse to an homage to the sestina. Some center on familiar cultural icons (Rembrandt, Houdini, Barnum, the Hardy Boys), others on little-known fringe players in subculture's oddest unlit corners, and yet others on family histories. But always they examine an essential subject: the ways we try to
"save lives"—whether through a trans­planted lung, the archeological rem­nant, the conserved book.

As ever, Goldbarth dazzles, displaying an energetic mind eager to share his arcane learning, oddball musings, and observations of intimate moments, joys, and despairs. A zany wit and a generous sense of humanity reign equally. Saving Lives only enhances this writer's grand signature tradition.
[more]

front cover of Troubled Lovers in History
Troubled Lovers in History
A Sequence of Poems
Albert Goldbarth
The Ohio State University Press, 1999

Troubled Lovers in History demonstrates an exhilarating range: from the briefest of lyrics to rich and multipartite narrative adventures in exotic realms; from a comic monologue spoken in immigrant “Yinglish” to a soulful elegy set in San Antonio’s Pearl Beer brewery plant; from Martian invaders, through polar explorers, to all of us busy inflicting “words with edges” on those we love.

Goldbarth sets his unflinching study of individual hope and grief against the backdrop of history: the travels of Marco Polo; Bertha and Wilhelm Rontgen’s discovery of X-rays; an 1800 battle “twixt Dragon Sam, the great Exhaler of Gouts of Amazing Flame . . . and Liquid Dan, the Living Geyser.”

From the night stars to the little starring parts we all play every day, Troubled Lovers in History takes us into the text of our dreams and despairs, as witnessed by the writer whom Joyce Carol Oates called “a poet of remarkable gifts—a dazzling virtuoso who can break your heart.”

[more]


Send via email Share on Facebook Share on Twitter